My Own Biggest Fan

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Lip Balm and Carrion.

The Life Aquatic with Steve Zissou

There is a new Wes Anderson movie opening December 24th. I know what I am doing Xmas Eve. I will be at my parent’s house. But Boxing Day I will be going to The Life Aquatic with Steve Zissou.

None of the Wilsons are involved in the production of the movie, but Owen has a major acting roll. Wes has a new writing partner for this one, Noah Baumbach. I don’t recognize any of the films in his Filmography, (all three of which star Eric Stoltz) but I trust he is good.

Entry

UPDATE: Here is an MP3 of Wickerman. (15.3 MB)

Ten minutes ago I made a half-assed entry that I have since deleted. I really have nothing to say at the moment. Too tired. Too busy.

Here are the lyrics to a song I really really like. I will post an mp3 once ftp access is fixed.

N.B. Please do not read lyrics whilst listening to the recording.

Wickerman by Pulp

Just behind the station,
before you reach the traffic island,
a river runs thru’ a concrete channel.
I took you there once; I think it was after the Leadmill.
The water was dirty & smelt of industrialisation.
Little mesters coughing their lungs up & globules the colour of tomato ketchup.
But it flows. Yeah, it flows.

Underneath the city thru’ dirty brickwork conduits
Connecting white witches on the Moor with pre-raphaelites down in Broomhall.
Beneath the old Trebor factory that burnt down in the early seventies.
Leaving an antiquated sweet-shop smell & caverns of nougat & caramel.
Nougat.
Yeah, nougat & caramel.

And the river flows on.

Yeah, the river flows on beneath pudgy fifteen-year olds addicted to coffee whitener, courting couples naked on Northern Upholstery & pensioners gathering dust like bowls of plastic tulips
And it finally comes above ground again at Forge Dam: the place where we first met.

I went there again for old time’s sake
Hoping to find the child’s toy horse ride that played such a ridiculously tragic tune.
It was still there – but none of the kids seemed interested in riding on it.
And the cafe was still there too.
The same press-in plastic letters on the price list & scuffed formica-top tables.
I sat as close as possible to the seat where I’d met you that autumn afternoon.
And then, after what seemed like hours of thinking about it
I finally took your face in my hands & I kissed you for the first time
And a feeling like electricity flowed thru’ my whole body.
And I immediately knew that I’d entered a completely different world.
And all the time, in the background, the sound of that ridiculously heartbreaking child’s ride outside.

At the other end of town the river flows underneath an old railway viaduct
I went there with you once – except you were somebody else -
And we gazed down at the sludgy brown surface of the water together.
Then a passer-by told us that it used to be a local custom to jump off the viaduct into the river when coming home from the pub on a Saturday night.
But that this custom had died out when someone jumpedand landed too near to the riverbankhad sunk in the mud there & drowned before anyone could reach them.
I don’t know if he’d just made the whole story up, but there’s no way you’d get me to jump off that bridge.
No chance. Never in a million years.

Yeah, a river flows underneath this city
I’d like to go there with you now my pretty
& follow it on for miles & miles,
below other people’s ordinary lives.
Occasionally catching a glimpse of the moon,
thru’ man-hole covers along the route.
Yeah, it’s dark sometimes but if you hold my hand,
I think I know the way.
Oh, this is as far as we got last time
But if we go just another mile we will surface surrounded by grass & trees
& the fly-over that takes the cars to cities.
Buds that explode at the slightest touch,
nettles that sting – but not too much.
I’ve never been past this point, what lies ahead I really could not say.
I used to live just by the river,
in a dis-used factory just off the Wicker
The river flowed by day after day
“One day” I thought, “One day I will follow it” but that day never came
I moved away & lost track but tonight I am thinking about making my way back.
I may find you there & float on wherever the river may take me.
Wherever the river may take me.
Wherever the river may take me.
Wherever the river may take us.
Wherever it wants us to go.
Wherever it wants us to go.

My Letter To Devo

Seeing that you have lent your music and likenesses to the Real Network “Freedom of Music Choice” campaign has disheartened me. DEVO was part of a punk ideal that placed art above capitalist and corporate intentions; whether you intended that or not. I looked the other way when “Whip It” was used in the Swiffer ads. The song was so overplayed and overused that placing it in an ad had little effect on it. I understand that you have to make a buck between Wes Anderson’s movies. I guess I just thought that “Freedom of Choice” deserved a little better treatment than that though. Not only is it being used by a corporation, for consumerist means, but it is also being used in such a way that is repackaging “freedom” as a marketing slogan. Not only that, but it is missleadingly dressed up as a consumer advocacy group. Total bullshit.

Real’s “freedom” is a caricature.

Real freedom is in the hands of the people using the iPod to play the mp3 of “Freedom of Choice” they downloaded of a P2P network.

It could be that you just don’t care about your back catalogue. That this is just a bit of personal irony. Either way, on behalf of your fans I offer an enthusiastic “Shame On You!” as you sell off the art that we have become emotionally attached to.

You Lazy Bastard

This article at the Guardian reads like a manifesto to me, one that I am glad to take to heart. No surprise to anyone who knows how frequently I update this page.


I’d have found an image that actually pertained to
this entry, but I couldn’t be bothered.

Attempts to Compartmentalize.